My Place at the Table
18" x 24"
oil and paper on canvas
2010
What is the role of the American male today? Especially if he eschews the conventional role of donning a suit for a job and chooses, instead, to paint and carve out a "living" as an artist? This is a theme I've been grappling with for many years. This painting is laden with personal symbology, though that was not my intention at first. It all started out as a simple arrangement of objects, but at the end I see a personal narrative in this painting.
The background of this piece is actually collaged pages from an old childrens science book, probably around first or second grade level. On top of that, the still life was painted (from life). Some of the text and images appear through the lighter areas of the tablecloth.
When our daughters were little, I stayed home during the day to raise them since April was a teacher and had the steady paycheck. I was starting my painting business (walls, not art) and was more flexible with my time. April would come home at the end of her long day to take over and I would go out and paint apartments, empty homes, etc. at night and on the weekends. It was tough, but the reward was being able to spend quality time with my girls at such a formative age. I think this painting speaks of that time in our family history when gender roles (in terms of earning income) were switched. I always kept my hand in my artwork no matter how beat down I was from my work. Looking back, I feel I strengthened my male identity by being a stay-at-home dad and artist, that's who I was (and still am). I guess the old pliers in the painting are symbolic of that.
18" x 24"
oil and paper on canvas
2010
What is the role of the American male today? Especially if he eschews the conventional role of donning a suit for a job and chooses, instead, to paint and carve out a "living" as an artist? This is a theme I've been grappling with for many years. This painting is laden with personal symbology, though that was not my intention at first. It all started out as a simple arrangement of objects, but at the end I see a personal narrative in this painting.
The background of this piece is actually collaged pages from an old childrens science book, probably around first or second grade level. On top of that, the still life was painted (from life). Some of the text and images appear through the lighter areas of the tablecloth.
When our daughters were little, I stayed home during the day to raise them since April was a teacher and had the steady paycheck. I was starting my painting business (walls, not art) and was more flexible with my time. April would come home at the end of her long day to take over and I would go out and paint apartments, empty homes, etc. at night and on the weekends. It was tough, but the reward was being able to spend quality time with my girls at such a formative age. I think this painting speaks of that time in our family history when gender roles (in terms of earning income) were switched. I always kept my hand in my artwork no matter how beat down I was from my work. Looking back, I feel I strengthened my male identity by being a stay-at-home dad and artist, that's who I was (and still am). I guess the old pliers in the painting are symbolic of that.
Speaking of dad stuff, I just want to wish Jessie a belated happy birthday. She's in the final few weeks of completing her Masters in Management, Science, and Engineering from Stanford University. Needless to say, the parental units are very proud. (I love you, Peanut!)
This week's studio music:
Social Distortion- Somewhere Between Heaven and Hell
Revolutionary Road soundtrack